SoGood

I’m excited to judge the RGD 2020 SoGood Awards, which celebrates the power of design to do good! Submissions are any communications design projects that help to incite positive action in our communities and make meaningful changes in how we live our lives.

Applicants should submit their work by February 14, 2020 to be considered. Click here for more information.

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Typographic Design

After finishing a book on the collective works of William Shakespeare, I was inspired to design typographic treatments for some of his most iconic works (I originally sketched the Antony and Cleopatra idea back in college twenty years ago … I failed the assignment):

David Blackwood

I wandered an art gallery on a recent lazy Sunday afternoon, taking in a somewhat underwhelming feature on work that claimed to define the Eighties, when I chanced upon a small, almost hidden, exhibit located in a side room that showcased Canadian artist David Blackwood. Upon entering the space, I became completely enthralled by his art—the style, the intricacy of his line work, the restrained, yet impactful, use of colour, and the haunting visual narrative he shared of his home province of Newfoundland. It was spellbinding. I am absolutely in love with his craft.

I’ve never visited the Maritimes but feel I’ve gotten a glimpse into this magical world and am left truly inspired. Check out selections from David’s body of work below:

Wesleyville: Seabird Hunters Returning Home, David Blackwood (1991)

Wesleyville: Seabird Hunters Returning Home, David Blackwood (1991)

Great Mummer Unveiled, David Blackwood (2002)

Great Mummer Unveiled, David Blackwood (2002)

Three Mummers on Winsor's Point, David Blackwood (1979)

Three Mummers on Winsor's Point, David Blackwood (1979)

Vigil on Braggs Island, David Blackwood (1973)

Vigil on Braggs Island, David Blackwood (1973)

Loss of the Flora, David Blackwood (1993)

Loss of the Flora, David Blackwood (1993)