After Life

On Saturday night, I can normally be found on my couch, in my velvet pyjama bottoms and faded Gudetama t-shirt, using my partner’s chest as a makeshift pillow as we watch nature documentaries on Netflix. The cocoon of our living room offering the solace craved by two introverts after a hectic week. A recent switch in our predictability though—at my unknowing behest—brought this splendour state to a sudden halt as I was confronted with memories that I’ve tried to keep at bay.

It was a simple change. Watching a new program listed in my recommendations list that was written, directed and starring one of my favourite comedians, Ricky Gervais. I assumed it was a comedy, and, at times, it is but ‘After Life’ is moreso an unflinching, uncomfortable, honest portrayal of grief and how it leaves those left behind to grapple uncharted emotions after losing a loved one. As we watched it on this particular Saturday night, I tried my hardest to hide the tears streaming down my face. To somehow cloak how relatable what I saw on screen was to my own reality. My partner knows … but I’ve always felt that until loss this deep happens to one personally, you don’t really understand. His parents are alive and healthy. It’s been five years since my father and best friend passed away in a matter of months after an unexpected terminal cancer diagnosis. And it’s been five years since my mother was hurled into a state of loneliness and depression that I, as an only child, have made my main duty in life to offset. It’s been a lot to shoulder and I feel the weight of it every day.

A scene in episode three really hit a nerve. In it, the main character reflects upon memories of the wife he lost while at one of their favourite places, the beach. The contrast between the love and laughter of the past with the sorrow and sadness of the present was incredibly well-acted. It made me ponder how I would feel, how I might viscerally react, during an upcoming trip to a place my father and I shared so many beautiful memories including our last adventure together just two months before he passed.

For in one week, I would be flying to Paris. It is a place forever intertwined with my own life story. A city that has provided inspiration, enchantment and hope (in addition to maternal family lineage).

I had no idea what this chapter would bring.

But I knew his ghost would be present.

Intertwined locks for both my father and I placed on Pont de l’Archevêché, near Notre-Dame Cathedral visible in background, in 2014 (©Deborah Clague).

Intertwined locks for both my father and I placed on Pont de l’Archevêché, near Notre-Dame Cathedral visible in background, in 2014 (©Deborah Clague).

France Gallery Updated

The France Gallery has been updated with pictures of my most recent trip. Check it out in full here.

Notre-Dame Cathedral fire, Paris (©Deborah Clague, 2019).

Notre-Dame Cathedral fire, Paris (©Deborah Clague, 2019).

The 7th Arrondissement, Paris (©Deborah Clague, 2019).

The 7th Arrondissement, Paris (©Deborah Clague, 2019).

The Louvre at dusk, Paris (©Deborah Clague, 2019).

The Louvre at dusk, Paris (©Deborah Clague, 2019).

Yellow Vest Movement vandalism on the Champs Elysées, Paris (©Deborah Clague, 2019).

Yellow Vest Movement vandalism on the Champs Elysées, Paris (©Deborah Clague, 2019).

David Blackwood

I wandered an art gallery on a recent lazy Sunday afternoon, taking in a somewhat underwhelming feature on work that claimed to define the Eighties, when I chanced upon a small, almost hidden, exhibit located in a side room that showcased Canadian artist David Blackwood. Upon entering the space, I became completely enthralled by his art—the style, the intricacy of his line work, the restrained, yet impactful, use of colour, and the haunting visual narrative he shared of his home province of Newfoundland. It was spellbinding. I am absolutely in love with his craft.

I’ve never visited the Maritimes but feel I’ve gotten a glimpse into this magical world and am left truly inspired. Check out selections from David’s body of work below:

Wesleyville: Seabird Hunters Returning Home, David Blackwood (1991)

Wesleyville: Seabird Hunters Returning Home, David Blackwood (1991)

Great Mummer Unveiled, David Blackwood (2002)

Great Mummer Unveiled, David Blackwood (2002)

Three Mummers on Winsor's Point, David Blackwood (1979)

Three Mummers on Winsor's Point, David Blackwood (1979)

Vigil on Braggs Island, David Blackwood (1973)

Vigil on Braggs Island, David Blackwood (1973)

Loss of the Flora, David Blackwood (1993)

Loss of the Flora, David Blackwood (1993)

Canadiana: St. Norbert

I grew up in St. Norbert, a community on the southernmost edge of Winnipeg. It offered the best of both worlds for my formative years - adjacency to a multi-cultural city known for punching above weight in regards to artistic output and a landscape that invited exploration with its fields, forests and historical ruins. My imagination was constantly stimulated and inspired.

Some of my most vivid memories involve exploring this land with a faithful companion and in my three dog life, a ninety pound lab-cross named Reggie often played this role. Taking him out was never a ten minute jaunt but rather a multi-hour journey in which I patiently waited as he chased wild hares, marked every tree, and even stood ground against coyote while I nervously tried to coax him to retreat in the opposite direction. This time spent in nature on the periphery of society gave me deep appreciation for nature, wildlife and our need to conserve it.

The next piece in my Canadiana Collection pays homage to St. Norbert, as well as the magical places (and creatures) I encountered while living there.

Prints and other merchandise available at society6.com/oblada.

St. Norbert/Magical Woodland (©Deborah Clague, 2019).

St. Norbert/Magical Woodland (©Deborah Clague, 2019).